VideoLobby Launches Template for Live Video
Edmonton-based Smibs today at the TechCrunch Real-time CrunchUp released a set of tools to package webcasts called VideoLobby. The service integrates Twitter and Facebook chatter, as well as a form to ask questions of a host that’s powered by a backend comment moderation system. Today, anyone who wants to produce a live show can sign up to host it on VideoLobby for free.
Instead of competing with the myriad live-streaming vendors in the world, VideoLobby builds on top of them, allowing a publisher to use live video powered by Qik, Justin.tv, Ustream and Stickam’s StreamAPI and format each stream as an episode of a show. The service seems somewhat superfluous, given those companies already integrate comments and social media themselves.
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The Web Files Pounds the L.A. Web Series Beat
- Editor rating:
- Premiere: July 8, 2009
- Length: 7-8 minutes
- Budget: Medium
- Cast
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- Host: Kristyn Burtt
- Crew
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- Director / Producer: Sandra Payne
While the opening sequence — shot film noir-style, with Burtt playing the role of detective — seems to imply investigative journalism, Burtt’s focus is on personalities and content, with minimal scoops in sight. The interview with MERRIme.com creators Kaily Smith and David Weidoff, for example, focuses more on their experiences at the NYTVF (where Smith won the best actress award) than on questions like how they were able to secure name cast members like Tony Hale and Tom Arnold, not to mention their $2,500-per-episode financing, though they do make an interesting point about the value of hiring a publicist.
But while the news component may be lacking, Burtt is still a capable host whose years of entertainment reporting make her very comfortable on camera — previously, she’d done hosting work with MSNBC and NBC, among other entities. Read more of this story
Boxee Box Will Be Demoed at CES: Source
Boxee will be showing off a prototype of its widely anticipated standalone set-top box at next year’s Consumer Electronics Show, according to a source close to the company who asked not to be named, with commercial deployment slated for sometime in the first half of 2010.
Despite announcing just last week at NewTeeVee Live that it was still working with a consumer electronics partner on creating the so-called Boxee Box, our source says that the company will have it ready for demos at the industry trade show in early January.
The onus isn’t exactly on Boxee to deliver it — it’ll be up to an unnamed CE partner to build and manufacture the set-top box, for which Boxee is just providing the software. Even so, the kind of turnaround with which Boxee is expected to go to market is practically unheard of in the CE industry, and suggests that the company has been working on this project for an especially long time.
IFC Dips Its Cinematic Toe Into Subscription Streaming
While it won’t move the needle much on its content library, IFC Entertainment announced yesterday that it will offer 53 films through Netflix’s Watch Instantly streaming service, reports Variety.
True, that’s not a very large number, but it marks the first time IFC is providing its content to a subscription streaming service. Up until now, the company has placed films from its 300-title library on EST destinations like Amazon, iTunes and Blockbuster.
IFC titles heading to Netflix’s streaming service include Errol Morris’ The Thin Blue Line and John Sayles’ Return of the Secaucus Seven.
As we’ve written before, Netflix’s Achilles’ heel is its streaming content library. Though it has over 17,000 titles, it needs to make sure that service is robust enough so that the number of subscribers using the service keeps growing. Check out Om’s recent talk with Netflix CEO Reed Hastings at our recent NewTeeVee Live Conference for more on his company’s streaming efforts.
Separately, though we didn’t see anything official announced, it looks like Netflix also just got a whole boatload of Saturday Night Live content in this week, including seasons 1 – 5.
To learn more about streaming directly to TVs, check out the report on The Evolution of Over-the-Top Video over at our subscription research service, GigaOM Pro.
Babelgum Shutters 2 European Offices
UPDATED: Babelgum is closing down its Dublin headquarters and an office in Nice, according to a report in paidContent, moves that could signal the end is near for the online video site.
Babelgum says the cuts will allow it to streamline its business to “ensure continued growth.” The company told paidContent that it will continue to develop applications from other locations, spreading the operations from its shuttered offices across those in London, Milan and New York. But there are questions as to whether Babelgum will continue to develop technology or keep focusing on content investment.
Babelgum is backed by deep-pocketed billionaire investor Silvio Scaglia; he invested €50 million ($73 milllion) in the company in 2008, and has said he plans to spend €40- €60 million annually on the company over the next 2-3 years. But the recent cuts could mean he’s losing patience while waiting for a return on that initial investment.
PLYmedia to Provide Live Captions to Online Vid Partners
For once, everyone getting on board with an online video trend is a good thing. Following on the heels of Google’s announcement yesterday that it will add automatic captioning to YouTube videos, PLYmedia today said that it will be providing live captioning to video platforms Ooyala, Ustream, Livestream, Brightcove, Kaltura, KIT digital and Kyte.
Unlike Google’s captioning system, which automatically creates captions using speech recognition technology, PLYmedia’s SubPLY offering does live captioning with national court reporter-certified transcribers. Using this human approach, PLYmedia says it can deliver more accurate results (Google even admitted that its system can make mistakes and is rolling the service out slowly.)
PLYmedia’s SubPLY also offers automatic translation into “multiple” languages, transcript generation, real-time keyword tag generation as well as Twitter and Facebook integration. The social media hooks allow Twitter and Facebook users to follow a live event through text updates to their news feeds.
In addition to making live video more accessible to the deaf and hard of hearing, the addition of captions will help make video more searchable.
Vid-Biz: BBC, Sony, Blu-ray Sales
BBC Gives Technical Details of Its New iPlayer On the Wii; the U.K. broadcaster has encoded streams using H.264 at a 700 kbps bit rate, compared to 1.5 Mbps for regular TV or even 3.2 Mbps for HD. (BBC) Speaking of British TV, the U.K. version of YouTube debuted its new site section that hosts roughly 4,000 full-length programs. (Variety)
Silverlight 4 Beta Launches for Developers; new features include out-of-browser capabilities, advanced business application development, and native multicast and offline DRM support for video. (Ars Technica)
Sony Announces Plans for Digital Media Store; new Sony Online Service will sell music, movies, books, and other downloadable applications for mobile devices. (BusinessWeek)
Disney Launches Its First Branded Entertainment Channel; “The Possibility Shop” will be exclusively sponsored by Clorox and promote Clorox products. (Ad Age)
Blu-ray, DVD Sales Expected to Stabilize in 2010; high-definition Blu-ray DVD sales have yet to make up for the decline in standard def DVD sales in 2009. (Video Business)
Digiboo Does Partnership with Movie Gallery; deal will put 100 Digiboo movie kiosks (see previous coverage) in retail locations. (Video Business)
Grey’s Anatomy Gets a Web Spin-Off; Seattle Grace: On Call will be a six episode run that’s on immediately after Grey’s is aired. (The Hollywood Reporter)
BitTorrent After The Pirate Bay: Do You Still Need Trackers?
The Pirate Bay made headlines earlier this week with yet another dramatic announcement, this time that the notorious BitTorrent site’s tracker has been officially shut down. But the move won’t impact downloading, site admins explained on a blog. Trackers are no longer needed to facilitate BitTorrent transfers, the blog entry explained, because decentralized extensions of the P2P protocol are mature enough to pick up the tab. “It’s the end of an era, but the era is no longer up2date,” the blog proclaimed.
As always with announcements from the folks at The Pirate Bay, there’s a lot of self-serving smoke and mirrors, mixed with a good amount of hubris. However, the announcement does bring up an interesting question: Is BitTorrent really ready for a world without trackers? We talked to some of the major players to find out.
Microsoft and Nielsen Partner for 1 vs. 100 Measurement
We’re big fans of the way the Microsoft Xbox LIVE game show 1 vs. 100 blurs the lines between TV and gaming. As the second season of 1 vs. 100 starts today (at 5 p.m. PT! Rush home and get in the mob!), it will have an added twist that makes this endeavor even more unique — measurement.
The folks in Redmond are teaming up with Nielsen to track how many people are playing (and checking out the ads). From a post on the Microsoft Advertising Community blog post:
The Xbox LIVE advertising group has teamed up with the Nielsen Company to launch a pilot test, beginning with Season 2 of 1 vs. 100, to obtain content, channel and ad specific metrics and identify who was playing the game and saw a particular advertisement. This is the first time content delivered through a video game console network will be capable of being measured by Nielsen’s television, online and video game metering technologies, such as the Nielsen people meter. Our goal is to ultimately provide advertisers with concrete Gross Rating Points (GRPs) and Targeted Rating Points (TRPs) to maximize their media spend.
Given that Microsoft said that it got up to 200,000 players each of the two nights the show aired per week during season one, it’ll be interesting how that number a.) does in season two and b.) compares with what a third-party research firm like Nielsen says. Of course, if Nielsen reports big numbers, Microsoft can charge more for in-game ads.
For more on why we think 1 vs. 100 is a good indicator of where hybrid media is heading, check out Liz’s Long View article on the topic over at our subscription research service, GigaOM Pro.
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